Benevolent Indifferent Attention

A small fragment and continuation of an earlier Ginsberg talk on Williams, this file touches upon Williams and Buddha mind, the "naive" poetics of Marsden Hartley, the capture of raw perception, green armpit writing, and dodging the social brain. Ginsberg starts in a particularly winning way, then seems to get rattled by a question that sends him into a train of truisms about particulars and universals, but then towards the end, he gets back into his groove, but the question is, is his "groove" a manifestation of social brain or buddha mind? Is this distraction the moment when poetics has a chance to "converge upon mindfulness?" Or is it less to be found in his routine, and more in the clacking of folding chairs in the last seconds of the file? By the way, I'm wondering how the buddha mindfulness flashing in the moment of first capture really relates to a "poem is a machine made of words"?